Kaizoku Sentai Gokaiger (Series) - TV Tropes. They faced the Space Empire Zangyack and took the title of 'pirates'. They are.. Kaizoku Sentai Gokaiger! However, this victory was achieved at the cost of the heroes' own powers, which were scattered across the universe. Years later, a group of Space Pirates called the Gokaigers hear about the Greatest Treasure In The Universe, which is supposedly located on Earth. Arriving to find and plunder the Greatest Treasure, they accidentally stumble into the Zangyack Empire's second attempt at invading Earth. With the Zangyack responsible for the bounties on their heads and the assimilation of their home planets, the Gokaigers are drawn into a conflict they would rather not be a part of.. In addition to the Gokaigers forging their own storyline, the show features plenty of tribute episodes to the older teams that came before them, usually as a Pastiche of the tone and themes of the highlighted series and featuring at least one guest star. Real Life Wrote The Plot when the Tohoku earthquake hit Japan in March 2. The disaster prompted Teruaki Ogawa (Sasuke/Ninja. Red and Hyuuga/Black Knight) to create a Twitter page for Super Sentai alumni to write messages of encouragement in- character to kids. Includes information on every Super Sentai Season. Mahou Sentai Magiranger (Magic Squadron Magiranger) is the twenty-ninth program in the Super Sentai franchise, airing for 2005 to 2006. Years ago, a war broke out.Watch Japanese Tokusatsu Online Himitsu Sentai Goranger 1975-1977 Kiya Watanabe, also known as Lothor is an exiled evil ninja master and the primary villain of Power Rangers Ninja Storm. He arrived on Earth with an army of evil. The movement caught on like wildfire and led many actors (some of which had even retired) to contact the Gokaiger staff asking if they could be included in the production to help. This caused the number of cameo/special episodes in the second half of Gokaiger to skyrocket. Aired alongside the Kamen Rider series Kamen Rider OOO and then Kamen Rider Fourze, with the cast meeting those of both in Super Hero Taisen, in the Super Hero Time block. Instead of being directly adapted into a Power Rangers series, elements from the show were incorporated into the second half of Power Rangers Megaforce. For the Kamen Rider equivalent, see Kamen Rider Decade. For the Milestone Celebration for the . Recurring Super Sentai tropes: All Your Powers Combined: In addition to the normal Sentai teamwork aspect, the Gokaiger have the powers of all previous Sentai Teams. Also, the previous Sentai teams use this to wipe out the entire Zangyack invasion force at the finale of the Legend War in the cold open, though they lost their powers in doing so. An Asskicking Christmas: #4. Ranger! By the Power of Grayskull!: . Ahim wears ruffles and lace, Doc is almost always in plaid, Luka favors stripes, Joe is covered in zippers, Marvelous' coat is covered in buttons, and Gai generally has scarf. Combination Attack. Crossover: The very premise of the whole series. Heroes, despite not being the official Vs. Since another team- up with previous Sentai heroes would have been redundant in this case, Gokaiger vs. Gavan serves as the official Vs. Go- onger and Goseiger vs. Shinkenger), Gokaiger vs. Gavan features a cameo appearance by the next Sentai team, while their next crossover (Go- Busters Vs Gokaiger) would have Zyuden Sentai Kyoryuger popping in for a spell. The team would later appear in a two- part crossover arc in Doubutsu Sentai Zyuohger. Defeat Equals Explosion Subverted for Warz in #3. Gokaigers, Warz is killed when the Great Warz is destroyed, leaving Damaras to recover his body from the wreckage. Subverted also for Basco in #4. After he and Marvelous land their finishing blows on each other, a mortally wounded Basco reverts to his human form and, after seeing that Marvelous has survived, realising why and saying his last words, collapses flat on the ground and dissolves into a red mist. Evolving Credits: While adding the new mecha to the OP is common practice, the OP from #1. Sixth Ranger footage compared to previous seasons. Even the final group shot, which usually remains untouched like in Go- onger or Shinkenger, shows the full six- man team now. Eyecatch: Averted. Instead, the logo forms on the bottom left screen to show that the break is coming up. Finishing Move: Final Wave, activated by inserting a Ranger Key into one of their weapons: the Gokai Sabre's finisher is . The team can also use the finishing moves of previous Sentai teams while in their forms. While fighting the Big Bad, the whole team uses a combined Final Wave called . Gokai. Oh has Gokai Starburst, as well as moves gained by unlocking past Sentai teams' Great Powers. So far we've seen Gokai Magi Bind, Gokai Full Blast and Gokai Pat Strike, Gokai Great Geki- Geki Beasts, Gokai Animal Heart, Gokai Samurai Giri, Gokai Radical Racing Slash, Gokai Hurricane Cassiopeia, Gokai All Headder Great Charge, Gokai Adventure Drive, Gokai Prominence, Gokai Infinite Shuriken and Gokai Wind- Thunder Attack, Gokai Drill Spin Blitz and Gokai Rex Drill, Super Big Burst, Gokai- Gozyu Qi Power Bomber, Gokai Go- On Grand Prix, Gokai Power Bazooka, Gokai Aura Galaxy, Gokai Super Dynamite and Gokai Jet Phoenix. Go. Zyu. Jin debuts with its own, the Gozyu Triple Drill Dream, utilized by inserting all three of its Ranger Keys. Each form of Gozyujin's has it's own finisher utilized by inserting that form's key. Using only Abare Killer's key, results in the Gokai Drill Spin Blitz. Using the Black Knight Ranger Key, Gozyujin can use the Gozyu Razor Edge. Wing Gozyujin's finisher is the Gokai Spartan. Kanzen. Gokai. Oh's is Gokai Kanzen Burst, and with the legend mecha it becomes Gokai Kanzen Super Burst. The Gokai Galleon Buster is the Ol. The leader sticks with the default Sword and Gun. Home Base: The Gokai. Galleon. Humongous Mecha: A Mech by Any Other Name: The Gokai Machines. Combining Mecha: Gokai. Oh, which transforms from the Gokai Galleon (Red), Gokai Jet (Blue), Gokai Trailer (Yellow), Gokai Racer (Green), and Gokai Marine (Pink). It's a Dual Wielding. Dance Battler giant robot at that! Transforming Mecha: Gokai Silver's own mecha has three modes: Go. Zyu. Drill, a giant drill tank, Go. Zyu. Rex, a giant robot T- Rex with a drill for a tail, and finally Go. Zyu. Jin, a giant robot with an anchor- shaped helmet, a drill for its right hand, and Go. Zyu. Rex's head for its left. Idiosyncratic Episode Naming: Just like in Kamen Rider Decade, episodes that have the original teams in will have episode titles similiar to that team's Idiosyncratic Episode Naming. In the Name of the Moon: Compared to the previous years, a very simple one, in the vein of the older Sentai. Bathed in yellow cheers that make my rosy cheeks flush with pink! I'm the green, freshly sprouted, new hero! Shining in the heavens, the name is.. Gokai Silver! He's also the most skilled fighter of the Gokaiger and it is shown that he figures prominently in the journey to find the Ranger Key and the Greatest Treasure in the Universe even before the team was formed. His bounty is always the biggest out of all six members. Not to mention, his close relationship with Aka Red. In both the Gokaiger movie and Gokaiger vs Gavan, Marvelous is the one with the biggest part, character- wise. Not to mention, unless the team is doing a single- color change (like the all- silver group in #1. Red Ranger Keys. Even when they gain the Sixth Ranger and Extra Hero Keys, he sticks with Reds like Time Fire and Wolzard Fire. As for returning characters, most of them are former red rangers and only a few teams with tribute episodes (namely Battle Fever, Liveman, Jetman, Kakuranger, Gogo- V, Timeranger and Abaranger) have used a non- red as their main representative, mostly due to the fact that the reds from some of those shows were unavailable. The Shinkenger tribute found a way around this dilemma by featuring Kaoru when Takeru was unavailable, despite the fact that she was only a semi- regular character who appeared towards the end of Shinkenger's run. Make My Monster Grow: Insaan uses a device to fire beams from the Gigant Horse's satellites to enlarge the Action Commanders and some Mooks. Averted with Basco's droids that start out giant. The formations are simply called . Go. Jyu Gokai. Oh: Activated by the Abaranger keys, Gokai. Oh, swaps arms with Go. Jyu. Jin gaining its drill weapon. Machalcon: A never- before- seen Engine; part falcon and part formula race car. Like Gao Lion, it forms two combos: 1. Heroes introduced Variblune: Goren Gokai. Oh: Helicopter Pack. In Episode 5. 0, Gai uses the Mega Silver Ranger Key to summon Mega Winger's wings, which are then combined with Gozyujin to become Wing Gozyujin. Merchandise- Driven. Mid- Season Upgrade: Our heroes gets 1. Ranger Keys after defeating Basco in the end of #1. Black Knight key in #2. The Gokai Galleon Buster and all the add- ons for the Gokai- Oh and Gozyujin could count as well. Monsters of the Week: Agents of Zangyack called . Some are notably callbacks to previous Sentai - for example, Pachacamac XIII is the son of the antagonist from Gekiranger vs Boukenger Basco uses his own set of giant monsters known as . They can also transform. Praetorian Guard: And then there's the Do. Gormin, which are imperial bodyguards that resemble Su. Gormin but colored red. Also, the Mooks from previous series return on several occasions. In 1. 99 Heroes, the main three revived villains (under the Black Cross King), Brajira, Dagon and Yogoshimacritein summon their respective underlings, Bibi Soldiers, Zobils and Ugatz. In #2. 0, a single Jaryuu soldier is seen resurrecting Ryuwon with the Heart of Hades. Flying Ghost Ship unites all the primary past mooks (though the Batsuroids and Igaroids appear as part of Abrella's forces). There is also the Combined Combatant, a monster made up of nearly all the past Mooks. Magerappas appear in the Hurricaneger tribute. Ugatz appear in the Go- onger tribute. Nanashi and Bibi Soldiers appear in #4. Goseiger vs. Shinkenger, and the Nanashi appear in original footage when they fight the Gokaigers at the Negakure Shrine. Motif: Naturally, it's Pirates. It was speculated from early on that the series would be heavily influenced by One Piece and reasonably so, since the anime version is also produced by Toei. The Movie. In the arcade game Dice- O, the other Gokaigers can also use it.
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Do you want to know the exact premiere (start) date in 2017? Little does Kyle know that Indy has a key tucked into his collar, which Jim and Julia use to escape. They head down to the cellar, where the guns are kept, but Kyle soon finds them and immediately regrets showing any kindness to the murderous lug. Kyle must be feeling dumb at this point, and he only acts with more stupidity as Jim begins to monologue at him. He describes his days playing baseball with Kyle’s dad, during which time they won a golden baseball that Jim so happens to find and then use to bash Kyle’s head in. Julia pulls Jim away from his savage tendencies, but it’s too late for Kyle, who can rest easy knowing he spent his last few minutes acting like a total idiot. And while Jim is killing for his freedom, Barbie is getting people killed while working for his own. Carrying the amethysts with the other kinship members proves too difficult for some of them, and Barbie asks Dawn for some downtime. She makes good on it with permanent downtime for one of her kinship members, who dies because he felt a little winded. Dawn is showing no mercy to her followers, blaming Barbie for her dark nature. Absent father complex or not, Dawn is making things happen for the kinship, including taking care of whom to choose as her alpha by having them duke it out themselves. At first, Dawn looks like she’s ready to hand Sam the rose or the pink star or whatever passes for a sign of affection on their homeworld. Junior notices that his “rightful” spot at her side is at risk, and so he confronts Sam for the right to be Dawn’s plaything. The bare- knuckle brawl drags on for a bit, until Sam walks away, seemingly over such a petty confrontation. But Junior is never done — it’s that Big Jim spirit coursing through his veins. So he grabs a rusted piece of metal and jams it straight through Sam’s stomach, leaving him for dead when he’s supposed to be preparing an escape route for Dawn. 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Film completi su You. Tube in italiano, vedere film gratis su You. Tube. Su You. Tube . La maggior parte sono pubblicati come un unico video, altri spezzettati in video da 1. Si trovano anche molti film italiani degli anni sessanta, settanta, ottanta, in particolare per quanto riguarda il genere horror, thriller, comico, la commedia all’italiana e la commedia sexy. Alcuni sono film introvabili, delle vere chicche. Alcuni titoli sono diventati dei film di culto anche grazie alla loro diffusione su internet. In generale, si trovano molti film dell’orrore, film western, film d’avventura, film d’azione, film di animazione, film di fantascienza, film comici, film drammatici, commedie sentimentali. Come ottenere una buona lista di film completi in italiano? Basta andare nella versione in lingua italiana del sito You. Tube e digitare sul motore di ricerca interno “film completo”. Vedrete apparire un elenco molto lungo di titoli. Scorrete la lista con le anteprime dei video, cliccate sul film che vi attira di pi. Guida gratuita di film e cortometraggi in italiano. Questa . I marchi citati in questo servizio sono di propriet. Tuttavia, se si crede che il contenuto informativo su questo website in qualsiasi modo colpisce i vostri diritti legali, contattarci. For any questions, please contact us. Colors TV Shows, Colors Videos, Photos, News. World Television Premiere of Rangoon on 2. Latest Bollywood , Bigg Boss 9 , Salman Khan, Tv, Hollywood , Cinema News, Box Office Reports, Photos, Videos, Movie Reviews and Trailers. Nawazuddin Siddiqui is always known for his versatile performances. All images from To Boldly Go: Rare Photos from the TOS Soundstage The end of April saw the release of the third installment of To Boldly Go: Rare Photos from the TOS. Kasam 14 November 2016 Today Full Episode by Colors Tv. Kasam 14 November Colors Tv Online New Next Episode Hindi Drama. November 14 2016 Kasam Watch In High Quality. Here’s Why Angry Irrfan Khan Lashed Out On Omi Vaidya AKA Chatur Ramalingam; Lisa Haydon And Dino Lalvani Blessed With A Baby Boy; This Veteran Actress Replaces. Bigg Boss 10 29th November 2016 Written Episode, Written Update on TellyUpdates.com. Day 44 8:00am The contestants wake up to Bigg Boss 9 Episodes, Bigg boss 9 News, Latest updates, Bigg Boss Season 9 Contestants Name, Contestants Biography, Nominations, Eviction, Winner, FREE Android APP. Watch full episodes from your Colors TV favorite shows online only on Colors TV website. We got the final Wonder Woman trailer last night. So we took that, and every other bit of footage we’ve seen, and teased out as many plot points and rumors as we. Burn Drum Cover Cobus Ngane Ngane Bd Movie Munmun Moyuri Rap Dragon Barber Shop Bosx1ne Gajendar Ajmera Bad Andbijy Alina Padikkal Deep Cleavage Show Griend Class. The Fuji X1. 00s Review – The S Stands for Sexy, Speedy & Stealthy by Steve Huff – Steve Huff Photo. The Fuji X1. 00s Review – The S Stands for Speedy by Steve Huff. I start with the battery and power, then mechanical items like straps, filters, hoods and caps, then cover the menu system and lastly how I shoot. Fuji have been refining the build quality of their lenses as time goes on, and the age of the 14mm f/2.8 and 18mm f/2 is evident in build of the 16mm f. The FUJIFILM X100F signifies the achievement of new heights in Fujifilms endless pursuit of perfection in photography. Perfection means creating. NOTE: This Fuji X1. I take the camera and use it for 2- 3 weeks and then write my thoughts and share the images I have shot with the camera. If I run into trouble I say so. I list the pros and cons of the camera and do some comparisons along the way. Some of the photos here have been tweaked with Alien Skin Exposure. Some are direct from camera JPEG and some are direct RAW conversions. I will list what was done to each image. I have done this so you can see a sampling of all kinds of images in all kinds of situations including the use of filters and plain OOC pictures as well. You can also read my long X1. HERE as much of what pertains to the X1. X1. 00s. I will only be going over the major changes here as well as showing quite a few samples. It’s heeere! Hello hello hello! Here I am with the long awaited Fuji X1. It has been a couple of years since the beautiful but flawed Fuji X1. I am with what looks like an exact replica of the X1. X1. 00s. But looks can be deceiving, and this X1. X1. 00 in just about every single way. Yes my friends, Fuji finally did get it right. Initially I was a little surprised but then thought why, this actually makes sense. Fuji are renowned for colour so why wouldn’t their internal converter produce. Hope that was not a spoiler, and no the camera is not perfect but yes, this is a big improvement over the X1. Road Block” – JPEG processed with Alien Skin Exposure. The original X1. 00 was and still is a gorgeous camera and while most X1. It is true that it had slow AF speed and an overall feeling of lag when using it but for me it did not matter because the camera was beautiful in the design, the EVF/OVF was superb and the image quality had some Mo. Jo not far off from Leica land. But when using a current camera you love it and do not realize that just a year or two down the road its replacement will come and in most cases, this means improvements. It is how camera companies learn. The Fuji x. 10. 0s is a result of feedback given by all of those who shot the X1. X1. 00 we have been waiting for. All for $1. 29. 9, or almost a 3rd the cost of just a Leica 3. Summicron M lens! Yes, just that 3. Leica costs $3. 20. The X1. 00s (just as the X1. You can not change focal lengths and you are literally stuck with a 3. FOV using the 2. 3mm lens built into the X1. For $1. 29. 9 you can get 8. Leica ME and 3. 5 Summicron which will set you back $8. I am not saying the X1. Leica M, but for less than 1/6 the price, the X1. The quality is superb, even using OOC JPEGS and you can slide the camera into places larger ones can not go. What is not to like? OOC JPEG from the X1. S” color mode – I love the look of this from color to rendering. But as I said, the old X1. This camera has the same crappy AF system that plagued the x100 which is shocking to me as even the x10 with the v1.0 firmware outperformed that.Fuji worked feverishly to improve the X1. This is a case of “You talked. Fuji has done what I never thought they could do. Produce a fast speedy, sexy and stealthy camera : )The lens in the X1. Click image for larger. This was a JPEG, not from RAW. SPEED – GIVE ME WHAT I NEEDWith this all new X1. Auto Focus, Fuji has now added phase detect Autofocus to the center of the frame and it engages automatically when it can be used. I am happy to see camera manufacturers start doing this. Sony added phase detect to their current line of NEX cameras and improved the speed of their AF by quite a bit when using compatible lenses. One of the weaknesses of many mirrorless cameras in the past has been slow or dodgy Auto Focus, especially in low light. I am happy to see this changing. I remember the very 1st mirrorless Micro 4/3 cameras and they were so so slow when compared to what we have today. I have found that the AF of the new X1. X1. 00 in good light (not scientific, just going by feel and memory). It is pretty much instantaneous – aim, fire, bam! But all is not perfect! In low light the camera still hunts a little and in fact I had an easier time focusing in low light with my Sony RX1 over the X1. Both were similar but the X1. BUT, this was low light and indoors, a struggle for almost any autofocus camera. I also had some issues getting it to AF on a certain subject, even when making the AF window a teeny tiny spot focusing patch. I had this issue with the X1. X- Pro 1 and X- E1 as well. B& W conversion look pretty good too: X1. B& W conversion in Lightroom 4. But overall, the AF is a huge improvement over the X1. The camera just feels super responsive in all aspects. I will even say this: give the X1. It is not only the AF that has been improved though. In fact, Fuji claims over 7. S” the best Fuji digital camera to date. Yes, I just said that. The best Fuji digital to date. In my eyes it beats the X- Pro 1 and X- E1 in every area except of course the ability to change lenses.“Sky High” – This one was from RAW, lowered contrast, lightroom 4. The Fuji X1. 00s also has been sped up in the overall responsiveness of the camera. Gone are any signs of sluggishness as the new processors take this baby to new heights in the speed department. Snap a picture and BAM, it is written to your card. Browse the menu and BAM there is no lag or delay whatsoever. The camera feels slick in use and while browsing menus. It is an all new camera in the speed department, just be sure to use a fast SD card in this baby. It will use it. The meu layout and system are similar to what you had in the X1. Advanced Filter: This is basically filters for your images if you are shooting JPEG. You can choose from Partial Color effects to soft focus, dynamic tone, low key, high key, pop color, miniature and toy camera mode. These are similar to what we now see on the Sony NEX and Olympus micro 4/3 cameras. I tried them but did not care for them as they were a bit overdone. Shutter Count: You can now see how many shutter fires the X1. All cameras should have this which acts as sort of the “Mileage” of you camera. SENSOR – X- Trans inside of the X1. Fuji changed the sensor this time around and we no longer have the lovely and smooth 1. MP sensor that was inside of the X1. Nope, we now have the 1. MP X- Trans flavor of sensor and to many this is a huge welcome. I have read where some felt the X- Trans was a mistake because the last Fuji X1. I agree that is true to some extent because had its own unique look over the X- Pro 1 and X- E1 sensors. Now the X1. 00s images have the same feel as the X- Pro/X- E1 as it is using an X- Trans sensor, but not sure what it is. The images that come from an X- Trans sensor do indeed look different than something that comes from a normal CCD or run of the mill CMOS sensor. In some situations the output can indeed appear flat with the X- Trans but in other situations it can be damn beautiful with a unique look that some will easily spot s that “Fuji” look. It also does decent with B& W conversions and the dynamic range is high but I have shot with just about every camera out there over the years and when comparing Fuji X- Trans images side by side with the big guns like Leica M, Sony RX1, D8. That is OK though because the Fuji is much less expensive and still damn good and most shooters will never see it. It really is only visible upon side by side comparisons anyway and regardless, the results from the X1. HUGE DR is here to stay it seems. This is a trend I am seeing as all sensors progress. The sensor in the Sony RX1 has huge dynamic range. The Leica M sensor has huge dynamic range. The Nikon D8. 00. As sensors get better and better, our images will start looking different due to the increase in Dynamic Range. What used to look a little hard, blown out or digital will now start to appear smoother and with more to the image in the dark and light areas, all due to increased DR. The X1. 00s sensor has fantastic DR as well. I used an Alien Skin B& W filter for the B& W conversion here. The Fuji X1. 00s Experience. When taking the camera out of the box you immediately hold it in your hand and it feels right. It is thin, light, and feels solid for the most part (some parts are plasticky) but not over built. To many, this camera feels like the best camera they have ever held. The built in EVF/OVF is welcome and a sight for sore eyes, especially when other camera manufactures leave it out and then charge you hundreds of an external wart (Sony and Leica). The camera is slim, thin, light and pretty much all one really needs for fantastic photography. We also still get the shiny lens cap included : ) It may not be a Leica solid feel or even feel as solid as an RX1 but it feels “right” just as the X1. Everything is here – the manual aperture dial on the lens, the shutter speed dial up top, the exposure compensation dial and the customizable buttons you can set up to your liking. The Fuji X1. 00s is a very mature camera, much more so than the companies own “PRO” camera, the Pro 1 which I did not care for so much. Shooting the new 1. S is intuitive, quick and problem free. When you see your preview snap up instantly you can tell if you nailed the shot and you also see those Fuji colors and Fuji signature. OOC JPEGS are better than RAW right now due to no real RAW support yet. Yes, the X1. 00s experience is much better than the X1. Does it hold up to the Leica M? In some ways it can (this little guy can be sharp and has great high ISO performance and give its own look) but for the most it can not (and I would not expect it to) but the fact that it can even be compared in IQ is quite the amazing thing, don’t you think? Viewing files at 1. FF powerhouses but is that worth over $8. I have a sneaking suspicion that Fuji will sell a TON of these, probably even more than the X1. It is a full mature camera and can last you a long long time because there is really nothing wrong with it or anything to irritate you or bug you or cause you to have problems when you go out to take photos.“Horror Movie” – Shot with the X1. JPEG mode then ran through Alien Skin for the look I wanted. The Arrival of my own X1. When the Fuji X1. I first thought I was sent the X1. Besides the S on the front bottom right it would be tough to tell the difference between this and the old model. Long Exposure Photography Tips — Fuji vs. Fuji. I’ve always been drawn to long exposure photography. The silky water, dreamy waterfalls, clouds that smear the sky into leading lines, or even just shooting in candlelight at low ISOs to capture noise- free images. You might think you need a super steady, and expensive tripod and equally expensive filters in order to achieve these looks, but if you already have a camera, you can get into the long exposure game for very little money. Nothing beats a good tripod. I have a great one from Really Right Stuff. One that was great for my DSLR setup, and (barely) travel- worthy, and the other might be the best support system you can get for a mirrorless kit. I’ll have much more to write about both those tripods, but the fact of the matter is you can get started with long exposure photography without a tripod of any kind. In the image below, I set my camera down on a nice sturdy cement wall, set my shutter release timer to two seconds, and stood by while the camera did it’s thing. To avoid the annoyingly conspicuous flashing countdown light, hold the “DISP” button to engage “Silent Mode.”. Fujifilm X1. 00. F Review & Rating. Fujifilm's X1. 00 series has long been a hit with photographers. Its classic design—the first version helped to popularize the retro look for digital cameras—and optical viewfinder appeals to modern photographers who, in the past, would have opted for a compact rangefinder. The latest version, the X1. F ($1,2. 99. 9. 5), keeps the basic design of previous models (with a few minor tweaks), ups the sensor resolution to 2. MP, and offers an improved autofocus system. If you yearn for a camera that's almost pocket friendly, offers the image quality of an SLR, and is simply a joy to use, look no further. The X1. 00. F is our Editors' Choice. Design and Controls. The template for the X1. This version measures in at 2. HWD) and weighs just about a pound. It's available in a silver finish, with black leatherette, or in an all- black edition. We received the silver body for review. The X1. 00. F boasts a fixed 2. APS- C image sensor, giving it a field of view similar to a 3. If you prefer a wider (2. WCL- X1. 00 II conversion lens ($3. TCL- X1. 00 II ($3. But both add bulk to the camera and take away the ability to slide it into a pocket. There is another excellent pocket- friendly 2. Ricoh GR II—it's getting up there in age, but remains a solid option for 2. There are also full- frame compacts available with similar lens designs, but both the 2. Leica Q and 3. 5mm Sony RX1. R II are priced above $3,0. For a camera of this size, you're more likely to turn to the built- in flash than an external one, although a hot shoe is there to mount an external flash or radio trigger. It's a convenient way to fill in shadows when shooting outdoors, or to brighten a scene where's there's simply not enough light, even for an f/2 lens and extreme ISO capabilities. By default, there's no easy button to get to the flash settings and turn it on or off—or adjust its power. But the X1. 00. F is a very customizable camera. Most of its buttons can be remapped, so if you don't see yourself requiring quick access to a particular button, you can remap it. The breadth of settings that can be assigned are too lengthy to list here. The X1. 00. F online manual runs through the entirety of the customizations. One of the physical changes from the previous- generation X1. T is right on the front plate—the X1. F has a front control dial, a first for the series. Its functionality is rather limited, though. It can be used to adjust EV compensation or ISO, but only if you set the EV dial to its C position or set the A position of the ISO dial to a Custom setting rather than the default Automatic in the menu system. The advantage of using C for EV is additional compensation, five stops in either direction instead of three. Using the front dial to control ISO makes adjustment a bit easier than the top ISO dial, which is integrated into the shutter control and requires you to pull up on the dial and twist it to adjust the setting. If you frequently change the ISO, you may find the front dial to be more comfortable to use. If you want to control both settings via the dial, a push inward will switch its functionality. Also on the front is a toggle switch, styled after the film rewind switch on a classic Leica rangefinder. It's is used to change between the electronic and optical viewfinder mode. It has a button at its center; pressing it displays an on- screen menu that adjusts the setting of the control ring surrounding the lens. You can leave it set to its default function, which activates a Digital Teleconverter when shooting JPG only, but does nothing when Raw capture is enabled. It crops images to a 5. MP resolution at both focal lengths. You also have the option of setting the dial to adjust White Balance or switch Film Simulation modes on the fly. The control ring only works to adjust these settings when the X1. F is set to AF- S or AF- C; if you use manual focus, the ring is dedicated to focus adjustment. Also surrounding the lens is a physical aperture control ring. It can be set to f/2 through f/1. A setting for automatic aperture control as well. The focus mode switch is on the left side, toward the bottom; it has S, C, and M settings for single or continuous autofocus, or manual focus. On top, to the left of the hot shoe, you'll find a pair of dials, the power switch, shutter release, and the Fn button. The shutter dial has Bulb, Timed, and standard settings from 1 second to 1/4,0. ISO control is nested, with the current setting visible in a cut- out window. To change the ISO you'll need to pull up on its knurled edges and twist. It takes a little getting used to, but as mentioned before you can switch ISO control to the front dial if you find the operation tricky—I can see the mechanism being a problem for those who suffer from arthritis. The EV dial can be set for - 3 to +3. EV adjustment in third- stop increments. There's also a C setting, which moves control to the front dial, for a five- stop adjustment range. The shutter release is a typical dual- action design—a half- press engages autofocus and a full press captures an image. Its design includes a standard thread for a mechanical release, a feature not seen on many modern cameras. The Fn button sets the metering pattern by default, but can be reprogrammed—I set it to toggle the in- lens neutral density filter. Rear controls include View Mode, which is above the LCD, just to the right of the eyecup. It switches between viewfinder and the rear LCD, and has a setting for the eye sensor to change automatically. To its right are an AEL/AFL button and the rear control dial. The dial shifts shutter speed when shooting in Program mode—which is set when shutter speed and aperture are both set to A. Pushing it in zooms the Live View feed so you can confirm proper focus. Other rear controls include a dedicated focus joystick, just to the right of the rear LCD. It moves the active focus point when the camera isn't set to its Wide focus setting. Below it are Play, Delete, and Disp/Back buttons. A four- way control pad, with center Menu/OK button, is further to the right of the LCD. Its top position is dedicated to change the Drive mode, but the right, bottom, and left directions are customizable. By default they adjust the White Balance, AF mode, and Film Simulation settings. The Q button is also on the rear, toward the upper right corner. It launches an on- screen menu that provides quick access to a number of options, including display brightness, flash settings, image quality and tone, and the self- timer. Like the physical buttons, all 1. The display isn't a touch screen, but the menu is quickly navigated using the rear joystick to move from setting to setting and the rear control dial to adjust the highlighted function. The X1. 00. F squeezes enough physical controls in its small frame to satisfy demanding photographers, almost all of which are highly customizable. If you don't like the way it handles out of the box, you'll be able to change the button functions to suit your style. If you're a more visual person, the Q menu is just as flexible. Viewfinder and LCDA hybrid viewfinder is the hallmark of the X1. The X1. 00. F doesn't make any real changes here compared with the last couple models. The optical portion is bright, with an electronic overlay that shows current exposure settings and a frame that indicates the boundaries of the image. It's wider than the lens, so you'll be able to see a bit of action happening outside the frame. Additionally, the frame line moves after focus is locked, correcting for the parallax effect you get when focusing close up. The focus points are also visible. They cover most of the frame, although only the central area, framed by an olive overlay, is covered by phase detection. The focus point or points that the X1. F is using to lock focus are highlighted in green when the shutter is half pressed. A flick of the front toggle changes the viewfinder to EVF mode. The quality is the same as you get from models dating back to the X1. S. It's a 2,3. 59k- dot LCD that is quite sharp to the eye. Using the EVF previews your final image, including any Film Simulation you have set. If you prefer a more natural view, better simulating the look of an optical finder when using the EVF, you can disable the Preview Picture Effect setting in the menu. The rear display is a fixed LCD panel without support for touch input. It's 3 inches in size and very sharp at 1,0. Viewing angles are strong, and at full brightness it's easy to see the image under bright sunlight. When using the EVF or LCD you have a few options when it comes to aiding manual focus. By default the focus aid is simple frame magnification. But you also have peaking, which highlights in- focus areas of the frame, and a digital split image available. The digital split breaks the image into several rows, which are offset when your shot is out of focus, but line up perfectly when you've nailed manual focus. Film Simulation and Connectivity. One of the bright points of recent Fujifilm cameras is the bevy of Film Simulation settings available. You can shoot images with a Standard look, which the company likens to its Provia slide film. Other slide film options include Astia for a soft look, Classic Chrome for the muted colors of Kodachroma, and the punchy, vivid tones of Velvia. Color negative film is simulated in Pro mode in standard and high contrast. In addition to a standard black- and- white option, the X1. F include Fuji's signature Acros stock, with your choice of simulated color filter, and a Sepia mode. You can add grain to any of the film looks—you have the option of a standard or strong effect, or no added grain at all. The Film Simulations are only applied to JPG images, but if you like the look you can always shoot in Raw+JPG mode and have the choice of using the out- of- camera version or adjusting a Raw image to taste. |
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